A running notebook of experiments, games, and small tools — each one started as a conversation and ended up as something I actually use.
A real macOS editor for your iPhone home screen — drag and drop apps, widgets, and folders with a mouse, search across every page, sort alphabetically, then apply the whole layout to your phone in one click. No jailbreak, automatic backups, and a one-time $9.99 license.
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Private student-behaviour tracking for AU & NZ primary teachers — log an incident in ten seconds, and it flags recurring patterns, hotspot locations, and time-of-day trends automatically. Runs entirely in the browser with no accounts or cloud, and exports clean entries straight into Hero or KAMAR.
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Role-playing character sheets on parchment — offline, in the browser, nothing leaves your device. Created in close collaboration with Claude, and an example of coding becoming a solved problem: the craft now lives in describing the outcomes you want, not specifying how.
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An 80s martial-arts Tetris duel where pieces fall sideways toward a shared battle line — clear a column to shove the divider into your rival and K.O. them. Fight a black-belt AI across three difficulties, or run the roguelike auto-battler and upgrade your bot between rounds.
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A Pokémon-inspired creature collector set in the Veridia region — explore, battle, and collect, with every sprite, creature, and landscape AI-generated. Fable 5 led the build end to end: my own example of the leap each new model generation makes possible.
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My original foray: pick a fighter, survive fifty waves, and build them between fights with weapons, armor, and trinkets. Made primarily with Sonnet, all art AI-generated, zero code written by hand — iterated and built on over a month.
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Claude Opus scoped the original, then rebuilt it from scratch — unlock trees, ascension, daily challenges. An example of loop-built development: set the outcomes, connect to Claude remotely, and let it work through the build during the day while I was out doing other things.
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A single-file branching-narrative RPG engine with on-device voice synthesis — built eight times, each version shipping a different game in a different world, from an Edo-era merchant’s rise to a postwar Manhattan nightclub. Eight games, 445 scenes, ~3,141 spoken lines, all playable in the browser.
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